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The Clearing Cover Reveal!

June 25, 2019 By Lou

This one has been a long time coming.

The Clearing Cover Reveal!

I am very excited to share this one with you. When I started putting together the DSA back in 2015, I drew little sketches for each cover. Crude stick figure people with a million little notes of what should actually be there even if my artistic skills weren’t up to the task.

Case in point:

Not a bad first step, right? I mean, look at those amazing tree trunks.

(Yeah. I can’t draw. At all…)

Baby steps

In 2016 I took it a step further. I thought I could design the covers using template images and concepts. Seemed simple enough. HA. There is an art behind font selection and a dozen other areas on the cover. Skills I still have yet to learn though I think I’m getting better as time goes on.

Suffice it to say, the cover never materialized the way I was hoping…

cover reveal

It’s not terrible. It definitely had potential but I knew the cover could pop more, that it could be more professional in its presentation.

Improving on the theme

Trial and error was important for me here. Learning what was important for this story was a crucial part in understanding the story I wanted to tell. Putting years into the process might not have been the plan, but it became a vital component to truly understanding the world of the DSA.

Learning the production process was part of this as well. Reaching out and connecting with a talented designer was crucial to the success of the book. And it shows in the final cover for The Clearing.

cover reveal

Nat, over at Marraii Design, did an amazing job capturing the tone and the scene I had in mind for the cover for the first book of DSA.

You’ll have to wait until October to find out what is happening here but it’s the start of something huge. Can’t wait for you to read the first season of what I hope will be your new favorite series.

Plenty more covers heading your way this year and I’ll be talking about specific release dates very soon. Like I said, this project has been fomenting for a long time and it is crazy exciting to finally see it coming together, piece by piece.

Thanks for reading.

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Filed Under: Cover Design, DSA Tagged With: cover design, cover reveal, DSA Season One, Marraii Design, The Clearing

Choosing a Cover Designer – A Friendly Guide

December 12, 2016 By Lou

I wrote about the value of having a professional cover made for your book last time. Now I want to get into the nitty gritty part of how to find a cover designer, where to start, what to look for and what questions to ask to make sure you’re completely satisfied with the experience.

Where to start?

Here are some first steps to make it a little easier for you:

  1. Research Your Genre – I always scoff at this one a little. There is a part of me that screams at mimicking the trends of the books surrounding yours on the shelf, be it physical or digital. The solution? Use this step as a primer. Look at trends and then look at the outliers. See what seems to pull you in and figure out why.
  2. Look at Amazon’s Bestseller Lists – Much like researching your genre, use the bestseller lists as a primer. See what speaks to you as an author. See what images are used. What figures are prominent on the covers selling well? Are similar fonts implemented? Ask questions and find the answers to better prepare you for talking to your cover designer when the time comes.
  3. Online Resources – Resource guides are a good place to start to come up with options. Writer’s Digest offers an extensive list in their Guide to Self-Publishing. Look at the listings offered. See what options are available. Who prefers your genre?
  4. The Google Machine – Search endlessly. It is the most time consuming and the distractions and advice are endless, but it gives you an overview of the process and the options available. “Knowing is half the battle.” (Man, I feel like some classic G.I. Joe cartoons now.)
  5. Look through your own books – I know this might sound simple and it really is. Still, it took me weeks to figure this out. This is actually how I found the cover designer for the Greystone series, Kit Foster Design. A cover design credit should be listed on the copyright page of a novel and it offers a great starting point.

What to look for?

  1. Cost – No one wants to admit that this is what they think of first but it is always in the back of your mind. Always. Cost plays a huge factor. Planning accordingly, having adequate expectations on your return on investment makes sense and should always play a factor in your decision.
  2. Revisions – Does the cover designer offer endless revisions? Do they only offer one? Or do they fall somewhere in between? This probably won’t end up being an issue. Cover designers are very intelligent and savvy with their work. But what if their vision doesn’t line up with yours and there is no chance at a compromise? Should you have to compromise is an even better question? This is your cover after all. Having the chance to make it perfect (or multiple chances) can make for a more satisfying experience.
  3. Bells and Whistles – Does your designer of choice only offer ebook covers? Do they only create print covers? Cover designers should be very clear with what they offer and the cost involved with each piece. Do you want a social media banner? A 3D image of the book for promotions? A poster-sized image of the cover to hang on your dreary basement office wall?
  4. Communication – Gone are the days of driving to a local vendor and hammering out details in person. Hell, even phone calls are dead to most of the world. We live in an e-mail world. A contact form world. Does your cover designer respond quickly and efficiently to these? Do they have a website? Has it been updated recently? Are they on social media? Do they set clear guidelines and expectations for you to look over before committing your time and resources to a failed endeavor?

Questions to ask your cover designer:

  1. Availability/Timeline – Very important. Can your cover designer of choice start right away on your project? If you are behind schedule is there a rush option? Or are they booked for the next six months? When they start a project, does it take weeks or months?
  2. Information required – Do they need an excerpt from the work? Just the back cover description? Specific images to be used? Knowing all of this ahead of time helps both you and your designer in the long run.
  3. What is received in the end? – Do you have full control of the final product? Is the cover effectively yours to do with as you wish? Or is there more to it, involving licensing? This can make or break the agreement. Make sure this is clear before starting any project. You need to own the final product. This leads to the final question:
  4. What does your cover designer expect in the end? – Is a credit on the copyright page sufficient? Do they expect some form of royalty for each sale? (Ridiculous, I know, but it came up with a potential designer for me. He did not get the gig.) This should be made crystal clear before any payments are sent or agreements signed if necessary.

 Take your time.

This is not a fly by the seat of your pants process. Take your time. Look over your options. List out potentials and then widdle them down to the ONE for you. Have a backup in mind. Just in case. It takes some of the pressure off when things fall through and inevitably something always does in these situations, unfortunately.

Set your own expectations and timelines. Know what you need and communicate it clearly to your cover designer. This is your project first and foremost.

And enjoy it. Getting that first cover in your inbox is the greatest moment of the journey.

Thanks for reading.

P.S. Don’t feel like putting in the time and effort to find a designer? Go to Kit Foster Designs. The man is amazing and you’ll love the finished product. Don’t forget to tell him Lou sent you.

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Filed Under: Cover Design Tagged With: cover designer, KIt Foster Design, Writer's Digest

The Value of a Professional Cover

December 5, 2016 By Lou

This might sound obvious but it was almost the worst mistake I could have made. And I was very close to making it over and over again. Taking the cover design of my novels into my own hands.

What the hell do I know about cover design?

cover designNothing. I mean, I’ve looked at covers my whole life. Mostly covers to issues of Amazing Spider-Man laid across my bed for the best cover of the year competitions with my sister. (The good old days.) I know what I like when it comes to covers.

Does that make me an expert?

Hmmm. NO. Not even close. So when it came to putting together the cover for Signs of Portents why on earth would I think I could do it on my own? I spent a hefty sum getting the manuscript just the way I wanted it. Multiple revisions. Great editing.

Do potential readers see the interior of your novel first? Again, NO. They see the cover.

First impressions and all that…

cover designCovers sell. It really is that simple. No matter what people believe, if that cover doesn’t pop then few will look to the book description for a second chance to win them over. Hell, if that cover is pitch perfect for your audience they probably won’t even read the description.

Just ask my wife and The Mortal Instruments series by Cassandra Clare. She couldn’t tell me anything about the books she bought on a whim other than how pretty the covers were.

Professional or Amateur? Your choice.

Cover design is about more than whipping something together in your basement on the cheap. To believe that your words will win out over your substandard graphic design abilities is dangerous thinking.

To your bottom line.

Cover design is about telling the story behind your novel in a single image. What kind of book it is, who the target audience will be, everything wrapped in a nice package someone can see in their browser or passing by on a shelf at their local bookstore.

It has to pull the reader in. It has to connect to a reader. In seconds. Literally seconds. Every additional moment spent on a cover is another chance to pull them to the back cover blurb or, HOPEFULLY, to add it to their cart.

Choosing to go it alone to save some money on your production budget is a risky move. One that tends to lend credence to the belief that self-publishing is the land of amateurs – something no one in this business needs.

Things never thought of until they show up in front of you.

cover designThere is more involved in putting together a book cover than throwing an image and picking a kick ass font. Especially when a series of novels is part of the deal.

  • Consistency – Do they have the same look and feel? Do they follow a pattern? If one doesn’t it should break away from the rest for a reason, hopefully one to do with the story.
  • Branding – Your cover carries your name. It carries the image of who you are to the world. It should say something about the book but also about its author.

I know my books would never have felt complete or ready to share with the world without having my covers done professionally. Kit Foster Design made the book real for me. That image of Nathaniel Evans’ eyes haunted me for days.

And yes, my initial sketch and original attempts to handle it all myself had that image in mind for the cover. In my version, the black tower at the heart of the city was center with the eyes of Evans looming overhead. It looked so creepy in my head.

On paper?

It looked like a giant clown face with the black tower acting like a nose and the city a giant shit eating grin. Not very ominous at all.

I stopped trying to make my own covers after that. (You’re welcome.)

Thanks for reading.

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Filed Under: Cover Design Tagged With: cover design, Greystone, KIt Foster Design, Signs of Portents

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