Lou Paduano | Urban Fantasy Novels | Sci-Fi Crime Series

Pathways in the Dark Sale Begins Today!

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The build up to the final Greystone book continues this week with a sale on the penultimate chapter!

Pathways in the Dark is only $0.99 right now!

Grab your copy on Amazon today!

The dark pathways of Portents tell of frightful demons and characters’ surprising histories.

Detective Loren and Soriya Greystone’s journeys continue in the next series of tales in the Greystone Collection, Pathways in the Dark. Discover new monsters in Portents, including a phoenix, an onna-bugeisha, and the cult of Anubis. Delve deeper into Detective Samantha Myers’ secretive past, and follow Captain Ruiz as he continues to be plagued by the demons of Portents, even during his leave of absence. As Loren and Soriya battle the city’s monsters and their fractured relationship alike, they come to realize that everyone has two stories…and that nobody can be trusted, no matter how well you think you know them.

The next anthology of the Greystone Collection further casts the city of Portents in the shadows, showing that no one is safe.

The shadows are growing…

See where the seeds for A Circle of Shadows are planted in this thrilling collection of tales that push Soriya and Loren into the darkest corners of Portents.

Some of my favorite moments with these characters are included in this book. Check it out today!

Sale ends September 6th!

Buffalo Comicon is in two weeks!!!

That’s right! The fall convention in the Queen City is here with guests galore and thousands of free books!

September 15 and 16th at the Buffalo Niagara Convention Center!

Stop by my table and say hello. Grab your tickets now!

Blackmail Commentary – Losing the Supernatural

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The author commentary of Pathways in the Dark continues with more insight into the Blackmail tale! SPOILER WARNING is in place!

The truth and nothing but…

I set rules when I write. I create a standard by which all stories set within a specific universe or series should adhere. This is meant to increase reader enjoyment, to play to their expectations, and offer them exactly what they’re looking for when it comes to my stories.

Greystone is very simple. Myths and legends create mayhem and murder in the city of Portents. Soriya and Loren have to stop them. Easy peasy. It is the impetus of every story breakdown, every script, every note I take when it comes to world of Greystone.

And then Blackmail came along.

Losing the supernatural.

It was never my intention. When I settled on a Myers story, my first instinct was to come up with a supernatural angle for her to confront. In terms of scope the Eyes in the Storm story from Tales from Portents sprang to mind. A way to build a world around this supporting character while also digging into who she was as a character.

Nothing worked.

Nothing felt true to Myers.

Because her story doesn’t come from the same place as Soriya and Loren. When it comes to Samantha Myers, her story is built around the mystery introduced in The Medusa Coin. Who is controlling her? Are they actually controlling her or is she a willing participant? And what do they have on her in the first place?

It was from these questions that Blackmail was forged. When I finally settled on delving into her past, I realized where the threat had to come from. Tying the two threads together made perfect sense from a narrative standpoint and kept the focus on Myers as a character instead of a plot heavy tale with no stakes.

Losing the supernatural, however, came with consequences…

Is this truly a Greystone tale?

If the supernatural is lost, if I break the rule that centers the universe of the series does it no longer belong? More importantly, will the reader enjoy it, having come to expect something completely different?

I struggled with this for a long time. Every revision, every readthrough, brought these doubts to the forefront and I had to justify Blackmail’s inclusion in the collection each and every time.

How did it make it through my inane questioning?

By the strength on which it stood as a character story. Myers needed more depth, she needed that extra element to proceed to Founder’s Day and A Circle of Shadows. Her mystery clouded her motivations and clarity on that front afforded her the chance at redemption or condemnation by the audience. I wanted to have that moment and continue to have those moments where you aren’t sure about her.

She represents a true threat to Loren. The unseen threat, on his end anyway.

What did you think about the change of pace for the series? A worthy exploration or did you miss the supernatural element in this tale?

I’d love to hear from you.

Blackmail Commentary – Starting Points

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Feels like it has been awhile since we’ve chatted about Pathways in the Dark, so welcome back to the author commentary on book four of the Greystone series! SPOILER WARNING is in place, though by now I’m sure you’ve read and enjoyed the collection.

Right?

Blackmail and the journey of Samantha Myers

When putting together each piece of the collection, I realized the opportunities available. This included glimpses into the lives of some of the supporting cast. With Trustfall, Ruiz was given the spotlight. For Blackmail, it was time to dig into Samantha Myers and her story.

Keeping readers in the dark about a mysterious character is a double edge sword. You want to keep them interesting but also want to hold back on all the answers. It’s a fine line and can work against a narrative if utilized incorrectly.

I didn’t want that to be the case with Samantha Myers.

Having a working outline for A Circle of Shadows helped in this regard. Knowing where her journey was heading allowed me some wiggle room to showcase a case personal to her, while allowing the reader a glimpse at her life.

As in the case of most of the collection, the driving force of Blackmail stemmed from The Medusa Coin. At the end of the novel, Myers calls a mysterious benefactor and we learn her motivations aren’t exactly as pure as we hoped.

But what did that mean for her? Why was she working against Loren and Soriya?

Those were questions I wanted to explore without giving away the whole mystery.

Who is Samantha Myers?

I love writing the character. Her comments, her snark, comes from a place near and dear to my heart. I love her attitude in The Medusa Coin and the down to earth nature of bringing her into the fold in this crazy series. Yet for every interaction in the novel there was little time to really delve into her story. A narrative choice and one that worked for the book but also one I wanted to rectify slightly through Pathways in the Dark.

For Blackmail, I wanted to provide an outlet for her to explore Portents without being confined to the role of a supporting player in Loren’s drama. I needed Myers to break away from the world and come into her own. In order to do that I needed a reason for her to fly solo.

Two cases of blackmail…

It wasn’t just a clever title. It was always meant to explain her situation without explicitly laying it out for the reader. Being pulled into the case, having to steal from her colleagues to pay off a blackmailer was always meant to bring to light the truth of her situation.

Her mysterious benefactor, the figure in the shadows that has placed her as Loren’s partner, is also manipulating her against her will.

Putting that personal spin on events raised the stakes in my eyes and forced Myers to come to grips with her situation.

I loved writing this story. It was definitely a challenge, something outside the norm for Greystone, but I thought it was a breath of fresh air in terms of a character piece. I’ll be discussing those challenges more next time.

Thanks for reading.

Connecting Factors – The Power in a Single Choice

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The author commentary of Pathways in the Dark continues with this look at the connecting factors in the stories contained in the collection! SPOILER WARNING is in full effect!

The power of a choice

That’s what it comes down to in the collection. Each character is tested, each of our cast is pushed to make a decision that will impact where they land as we head into the finale this fall.

The question at the heart of the narrative is simple:

Do we stand together or go it alone?

Each story puts this question into play. With Collateral, it is the driving force for how Soriya and Loren react to the arrival of the Phoenix. For Trustfall, Ruiz is forced to accept his daughter’s maturity as well as the growth of Dobson over the last two decades.

Using this question for each character, forcing them to face their concerns or run away from them is a central theme to Pathways in the Dark.

How they answer it was important to me and more crucial to the direction of the series.

Loren

He can’t face certain secrets that have come to light thanks to a certain photo. His inability to work with Soriya, his lack of trust, pulls him away from his one true partner. This distrust forces him to go it alone.

It will cost him greatly…

Soriya

This question was central to her character in The Medusa Coin and this collection served as a extension of that internal argument. She needs others, her need for connection constantly pushing her forward. Her decision to move out of the Bypass Chamber comes from this need. She reaches out to Gilgamesh for friendship. Trust is essential to her.

Especially when it comes to Loren. His decision, however, has put their partnership in jeopardy. The repercussions for this are coming this fall.

Myers

We haven’t discussed Samantha Myers’ solo feature yet but this question is the core of her struggle as well. She is being blackmailed. To what end? We don’t know… yet.

The fact that she internalizes it, that she refuses to come forward and trust anyone in this matter is her choice.

And one that puts them all at risk.

Ruiz

This question jumped out at me from looking at Trustfall. Ruiz’s struggle with sharing with his family, the constant conflict with keeping his family safe or telling them the truth of what is really out there is a fun one to explore.

He learned to trust in his wife but does that extend to his eldest daughter? Zoe is 18 and about to embark on her own life. She has to know but he holds back. That choice puts her at risk, something he swore would never happen.

It’s an eye-opening event in his life and one he takes to heart. Standing together, in Ruiz’s eyes, is the only option going forward.

What that means down the line will be revealed in…

September!

A Circle of Shadows is coming. Everything changes. The ultimate cost for their decisions comes to pass.

I can’t wait to share more about the book this summer!

Thanks for reading.

Trustfall – Standalone or a Part of the Whole?

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The Pathways in the Dark commentary continues! SPOILER WARNING ahead!!! One last look at the short story Trustfall from the collection…

The Return of the Kitsune

Last time I discussed bringing elements of The Great Divide back to explore how things have changed for Ruiz and his world in almost two decades.

Having Dobson and Harvey return allowed Ruiz to see this change and second guess his choices on all fronts. It was a fun exploration, one that challenged Ruiz’s conception of trust as well as the idea of good and evil as it related to these two forces from his past.

But what about the threat for the story? Who was committing these crimes?

This question led me back to Tales from Portents and another open-ended menace from the collection: The Kitsune.

When she showed up in The View from Above, she was using teens to commit petty theft for the thrill of it. I wanted to see the next step of that, where this ancient creature would go when she had nowhere else to turn.

I also thought it would be a nice nod to readers who had been there from the start. As I’ve often stated, I feel short stories tend to feel unimportant so bringing back past dangers, past relationships and expounding on them gives that sense of connective tissue I love with series writing.

Which brings me to my final point on the tale…

Standalone or a crucial piece to a larger puzzle?

This is something I struggle with constantly. Even as I write this I am working on the second book in a new series where this concept is coming into play.

My thoughts go back and forth on how best to handle individual books in a series. I believe in the standalone novel. I love the ability of picking up one story and having a beginning, middle and end.

Yet I also believe there should be connective tissue when it comes to a series. Subplots, overarching themes, history between characters, etc. All are crucial to make the journey feel more real for the reader.

When it came to Pathways in the Dark, my goal was simple. Six stories bridging the series from The Medusa Coin to where the characters need to be at the start of A Circle of Shadows. Each piece needed to stand on its own but I wanted each to feel like it was part of something bigger.

Some readers mentioned this as a fault. I totally accept that assessment. If you’ve come into the series at book four I completely take the blame for not making this collection stand on its own. There is more baggage with each new book and this one had its fair share to be sure.

My own thoughts are mixed…

I do, however, think with tales like Trustfall, The Apartment and Blackmail that there is a sense that you can read just this story and enjoy it on its own.

Are there elements of the wider story being told? Absolutely. Especially for Trustfall. Harvey’s inclusion, as I’ve hinted, is crucial to where the narrative is heading this fall. The Kitsune alludes to the growing shadows as well.

Looking at Trustfall on its own though, there is a beginning, middle and end. Ruiz is a father trying to protect his daughter from the outside world, something he can no longer do now that she’s heading to college. That’s the standalone story and if you read it as such it is a complete work.

If you’re looking at it from a Greystone Saga perspective there is enough connective tissue to the other stories to keep you moving for the next piece of the puzzle.

So in the eternal debate of standalone vs series I prefer to skirt the line right down the center…

Where do you fall on this debate? Email me at lou@loupaduano.com

Thanks for reading.

Trustfall – Old Friends and Old Enemies

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The author commentary on Pathways in the Dark continues here! SPOILER WARNING is in effect!!! Today focuses on the tale, Trustfall.

Bringing back some old friends…

The absolute best part of the short story collections in the series is the ability to have recurring threats. There were so many incredible tidbits layered in Tales from Portents, threats and supporting cast members with rich histories and their own stories to tell. It was impossible to let them slip away when the opportunity arose to write Pathways.

Trustfall proved that top to bottom.

Last time I discussed starting out the story and where the idea came from. The conceit that Ruiz may be trying to trust his wife more about their lives in Portents, but how does that reflect the rest of his world? How does he put that into practice?

And how far does that trust extend when it comes to his college bound daughter, Zoe?

The Great Divide Redux

The story in Tales from Portents focusing on Ruiz introduced the young officer to the world of Portents. The true city as Mentor called it. It was in this moment Ruiz realizes he can’t share things with his wife. That he has to protect her and his growing family.

So why not bring that around full circle?

Erik Dobson, or Yellow Eyes as he is known in The Great Divide, was a natural choice to test Ruiz’s resolve. This boy almost ended Ruiz’s life and showed him the terrors hiding in the shadows of the city. Bringing him into the fold and making him a foil to Ruiz’s inability to trust kept the conflict front and center.

It also brought an element of tension for the reader. Is Dobson the threat here? Is he actually a decent person now? That was another point I wanted to hit here. Can people change? If Dobson can, does that mean Ruiz can as well?

There was a lot of interesting elements to weave into the story because of his inclusion. Humor, for one. Dobson’s bird references. His office decorations. Each was meant to pull you from one side to the other and never make it clear where he fell until the very last moment.

Julian Harvey

This was a calculated inclusion. I didn’t want the story to simply be a return to The Great Divide. However, Dobson’s inclusion opened the door for Harvey entering the scene. Harvey worked with Ruiz on the case originally so it made sense he would be keeping tabs on ol’ Yellow Eyes.

Was there more to his presence here? Absolutely. Harvey showing up at this particular moment is one of the most important elements of the collection.

Why? I can’t tell you yet.

But I will definitely be hinting at it more next time!

Next time –

The Kitsune’s return and the delicate balance of a standalone tale versus connecting to a wider arc.

Thanks for reading.

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